Sunday Worship

A few years ago we were reading Psalm 106. You know that one. The one where the Israelites are reminded of all the times they screwed up as a nation. The times they forgot their God. Then it suddenly occurs to me. This is a PSALM. They SANG THIS. This was one of their WORSHIP SONGS. As in, “Take your hymnbook and turn to number 106.” How do you SING stuff that is so self deprecating? Definitely a minor key.

⁶ We have sinned, even as our fathers did;
we have done wrong and acted wickedly.

⁷ When our fathers were in Egypt,
they gave no thought to your miracles;
they did not remember your many kindnesses,
and they rebelled by the sea, the Red Sea.

¹³ But they soon forgot what he had done
and did not wait for his counsel.

¹⁴ In the desert they gave in to their craving;
in the wasteland they put God to the test.

¹⁵ So he gave them what they asked for,
but sent a wasting disease upon them.

¹⁶ In the camp they grew envious of Moses
and of Aaron, who was consecrated to the LORD.

¹⁷ The earth opened up and swallowed Dathan;
it buried the company of Abiram.

¹⁸ Fire blazed among their followers;
a flame consumed the wicked.

¹⁹ At Horeb they made a calf
and worshiped an idol cast from metal.

²⁰ They exchanged their Glory
for an image of a bull, which eats grass.

²¹ They forgot the God who saved them,
who had done great things in Egypt,

²² miracles in the land of Ham
and awesome deeds by the Red Sea.

²³ So he said he would destroy them—
had not Moses, his chosen one,
stood in the breach before him
to keep his wrath from destroying them.

²⁴ Then they despised the pleasant land;
they did not believe his promise.

²⁵ They grumbled in their tents
and did not obey the LORD.

²⁶ So he swore to them with uplifted hand
that he would make them fall in the desert,

²⁷ make their descendants fall among the nations
and scatter them throughout the lands.

²⁸ They yoked themselves to the Baal of Peor
and ate sacrifices offered to lifeless gods;

²⁹ they provoked the LORD to anger by their wicked deeds,
and a plague broke out among them.

³⁰ But Phinehas stood up and intervened,
and the plague was checked.

³¹ This was credited to him as righteousness
for endless generations to come.

³² By the waters of Meribah they angered the LORD,
and trouble came to Moses because of them;

³³ for they rebelled against the Spirit of God,
and rash words came from Moses’ lips. ^[c]

³⁴ They did not destroy the peoples
as the LORD had commanded them,

³⁵ but they mingled with the nations
and adopted their customs.

³⁶ They worshiped their idols,
which became a snare to them.

³⁷ They sacrificed their sons
and their daughters to demons.

³⁸ They shed innocent blood,
the blood of their sons and daughters,
whom they sacrificed to the idols of Canaan,
and the land was desecrated by their blood.

³⁹ They defiled themselves by what they did;
by their deeds they prostituted themselves.

⁴⁰ Therefore the LORD was angry with his people
and abhorred his inheritance.

⁴¹ He handed them over to the nations,
and their foes ruled over them.

⁴² Their enemies oppressed them
and subjected them to their power.

⁴³ Many times he delivered them,
but they were bent on rebellion
and they wasted away in their sin.

Okay, I left out a few of the good verses. But even so…

We always want our songs to be happy.  The modern church doesn’t do lament well. What if Western Christians had a song that was the modern equivalent to this?  In her review at Thinking Out Loud of The Ben Ripple my wife wrote:

All in all, it is important for us to know stories like Ben’s.  The places where God meets us face to face, and the places where he stands quietly behind us.  What the family next door might be going through and what they may deal with from one day to the next.  It’s been said that we live in a world that has forgotten how to lament — to cry out to God our pain and fear and loss.  This book is just such a thing, but like so many of the laments in Scripture, it ends on a note of “nevertheless…”  The possibility of healing, the value of trusting, the necessity of faith in one who loves us.

In a review of a new NLT edition that contains a section of laments, I quoted the authors:

“These are the questions we’re all afraid to ask God, and the complaints we might hesitate to voice to him. The truth is, God desires our honest doubts, questions and complaints. After all, the writers of the Bible regularly lament, crying out to God and questioning him about injustices, pains and problems.

In 2012 at Internet Monk, Chaplain Mike looked at our propensity to edit the Psalms of Lament to suit our purposes in a piece about Sanitizing the Wilderness:

Contemporary “worship” music is especially weak when it comes to giving voice to the full spectrum of human experiences and emotions. Even when today’s songwriters make use of the Psalms they tend to transform the raw, earthy language that describes our complex, often messy relationships with God and others into easily digestible spiritual sentiments…

…It takes one image from a rich, profound, complex and realistic description of life and latches on to it because the image evokes a simple devotional sentiment that prompts an immediate emotion. We set it to music, and voila! — people get the idea we are singing “Scripture.”

Instead, in Psalm 106, we have true scripture, but the part of it that we tend to ignore or forget. But in its own way, this too is worship.

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We also looked at Psalm 106 in a June, 2012 article, God Keeps Putting Up With Us.

Sunday Worship

Listen! Your watchmen lift up their voices, They shout joyfully together. – Isaiah 52:18a, NASB

Just as a body, though one, has many parts, but all its many parts form one body, so it is with Christ. – I Corinthians 12:12 NIV

As someone who has been part of music ministry in many different churches, I don’t know how I missed today’s analogy before. (I’ve added italics and bold type for emphasis!) We begin with a return visit to Christward Collective and a piece by author Gary Wilbur. Click the title below to read the article in full at source.

Singing in Parts

I love plainsong chant and the power of unison singing. This type of singing fulfills particular roles in worship that part-singing cannot. However, I would suggest that the current status of congregational singing is not lacking in unison options but is in fact neglecting the benefits of singing in parts.

One reason that people do not sing in church is the lack of opportunities to do so with a voice part or a melody that fits into their vocal range. Altos and basses were not physically made to sing in the same range as sopranos and tenors. When faced with a high melody line and no opportunity (or training) to sing anything else, basses and altos either stop singing or strain their voices. If they are able to hit the higher notes, they do so in a different part of their voice that makes them stick out of the blend.

Singing in parts allows for different voice ranges to have vocal parts that fit their voice. This allows them the opportunity to participate more fully in congregational singing—which is, of course, a significant reason for singing together in the first place.

In addition, when people sing in harmony the whole is greater than the sum of the parts. Literally. Notes sung together cause sound frequencies to resonate together in such a way that “sounds” other notes that are not physically being sung. The combination of voices creates the opportunity for additional notes and harmonies to fill out the music with greater richness.

Singing in parts is a reflection of the Body of Christ that serves one another with different functions. The melody is supported by the harmony, the inner voices contribute tension and release, color, and enriched harmonic textures. The sopranos need the basses who need the altos and tenors…

He then moves on to talk about some of the practicalities of music ministry that aren’t applicable to all readers here.

It’s import to note that the idea of the capital “C” Church as a body is itself an analogy; so that when we noted that part singing is analogous to the notion of that body, we’re actually proposing an analogy to an analogy. We can get quite carried away doing this.

But we wouldn’t be the first to propose that the music of the church can be a microcosm of something taking place on a larger scale. For example, most of the basic chords in music are comprised of three notes, and writers in past centuries saw this as analogous to The Trinity.

Augustine wrote, “In that supreme triad is the source of all things, and the most perfect beauty, and wholly blissful delight.”

That quotation was sourced at the article “A Perfect Chord: Trinity in Music, Music in the Trinity” by Chiara Bertoglio (link here; opens as a .pdf) where we also see this:

In Greek theory and philosophy, since music is an expression of order and harmony, it is analogous with the harmony of nature, and is sympathetic with it. For Christians, the harmony of creation mirrors the Creator.  (p488)

But music can be highly complex. How far do we take such analogies?

Dietrich Bonhoeffer significantly used the musical image of the counterpoint between cantus firmus and higher parts as a metaphor of our love for creation and Creator: our love for God is the basic melody, ‘to which the other melodies of life provide the counterpoint.’ (p491)

And what do we say of polyphony? Or poly-tonality? Or the place of unresolved chords or even discords? It gets complicated when we try to impose too much on an analogy or metaphor; when we run too far down the rabbit trail!

So let’s leave it where we started, namely that Singing in parts is a reflection of the Body of Christ that serves one another with different functions.

That’s an image I believe we all can embrace, and can remember the next time we hear four-part harmony sung in worship to God.

 

 

Psalms: The Missing Jewel in the Modern Church

^{Psalm 1:1} Blessed is the one
    who does not walk in step with the wicked
or stand in the way that sinners take
    or sit in the company of mockers,
² but whose delight is in the law of the Lord,
    and who meditates on his law day and night.
³ That person is like a tree planted by streams of water,
    which yields its fruit in season
and whose leaf does not wither—
    whatever they do prospers.

While certain types of prayer and praise rate high with some, I believe that God is happy just to have us commune with him. That includes expressing our angst, our frustrations, our deep longings.

Today’s post includes some excerpts from an article by worship songwriter Graham Kendrick. For a better experience of these thoughts, you are encouraged to click the title below. The site is also a wealth of songs Graham has written.

Psalms – The missing Jewel of the Worshipping Church?

It was several decades ago that A. W. Tozer described worship as the ‘missing jewel of the evangelical church’. It was one of the messages that helped to fuel an embryonic worship movement that has since transformed the way millions worship across the world. I hope the late great man will forgive me for adapting his words for today to read: Psalms – the missing jewel of the worshipping church.

I have read them regularly, composed songs from them, and spontaneously sung them straight from the page for many years, but even so I think I am only just beginning to wake up to their immense power and significance. I love to open up a good commentary and learn about them from a scholar, but something remarkable starts to happen when I open up my mouth and wrap my lips, tongue and heart around the words and pray them aloud…

…One of the strongest arguments for using the Psalms is both simple and profound – it was what Jesus did. The Psalms were Jesus’ prayer book, songbook and meditation manual, and if he needed them how much more do we? …

Kendrick then explains the absence of The Psalms as owing to the current state of worship:

The vital place of the psalms to our spiritual ancestors is beyond question, so why are they sidelined today? There are many historical reasons I am sure, but one very contemporary one is that our media-intensive culture moulds us as spectators rather than participants, looking to screens, stages and platforms to be ‘done to’ and spoon-fed experience rather than learning how to nourish our own spiritual lives. In this atmosphere many Christians have become ‘event-dependant’ and have little idea how to sustain themselves between ‘fixes’. Those who have the job of providing the ‘spectacle’ week by week become exhausted under the demands.

There are many songs today that give us an excellent language for expressing our personal love and thanks to God but the Psalms also give us a language for anger, for frustration that the world is not as it should be, for protesting against injustice and for lamenting the tragedies that we see around us, and a language of hope for the future. We need to rediscover some of this language in our worship today – that allows the Christian community to grieve, protest, lament, and anticipate God’s final victory…

But then he suggests one practical way we can experience the Psalms. In this section he quotes Eugene Peterson who references Isaiah 31; the word usage in the first section is important here:

⁴ This is what the Lord says to me:

“As a lion growls,
    a great lion over its prey—
and though a whole band of shepherds
    is called together against it,
it is not frightened by their shouts
    or disturbed by their clamor—
so the Lord Almighty will come down
    to do battle on Mount Zion and on its heights.

Kendrick writes:

How do we pray the psalms? One of the best ways is simply to read them out loud, but not in a detached, cerebral way. The book of Psalms begins with a promise that the person who meditates in the law of the Lord is like ‘a tree planted by streams of water, which yields its fruit in season and whose leaf does not wither. Whatever he does prospers.’ That is quite a promise. Meditation sounds like a purely mental activity, but according to Eugene Peterson:

“Meditate [hagah] is a bodily action; it involves murmuring and mumbling words, taking a kind of physical pleasure in making the sounds of the words, getting the feel of the meaning as the syllables are shaped by larynx and tongue and lips. Isaiah uses this word ‘meditate‘ for the sounds that a lion makes over its prey [Isaiah 31:4].” [Eugene Peterson, Answering God]

The Psalms spring to life when we engage with them physically – try it!

Again this is about half of the article; click the title to see it all.

Something more to think about:

Graham Kendrick concludes the full article with this observation:

Jonah’s Psalm-like prayer in the belly of the whale [Jonah 2:2-9] was not original, its component parts can be traced back to at least 10 sources in the Psalms. He had been to ‘Psalm-school’, worked out at ‘Psalm-gym’ and so in a moment of desperation, he had a vocabulary of prayer to draw upon.

 

Why Modern Worship Music is Praise, Not Worship

I know you guys like to go deep, so today’s post is no exception, but unfortunately the writer delves deeply into this topic, but leaves us without a key scripture verse today, so just to frame it up, we’ll begin with a brief repeat item.

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The “speaking to yourselves in Psalms, hymns and spiritual songs” phrase occurs twice in scripture.

In Ephesians 5: 18-19:

And do not get drunk with wine, for that is dissipation, but be filled with the Spirit, speaking to one another in psalms and hymns and spiritual songs, singing and making melody with your heart to the Lord (NASB)

and in Colossians 3:16

Let the word of Christ richly dwell within you, with all wisdom teaching and admonishing one another with psalms and hymns and spiritual songs, singing with thankfulness in your hearts to God. (NASB)

Christianity is a singing faith. No other “religion” (in quotation marks because Christianity does not meet much of the definition) can boast the volume of music that has been given to the world as has the Christian faith.

Why?

The verses give us the answer, we sing because:

• the Spirit of God lives within us and causes us to sing (Eph. text)
• the Word of God fills our minds and provides us with the lyric to which we give voice (Col. text)

Of course, we can’t omit the whole matter of “experience” as a classic gospel song reminds us:

I sing because I’m happy
I sing because I’m free
His eye is on the sparrow
And I know he watches me.

But this, too has its roots in the text. Happy and free because of the Spirit’s presence. Known, cared-for and loved as promised in the Word.

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…That brings us back to today’s item with the provocative headline!  The writer is Father Christopher Smith, writing at the Catholic Education Center Resources blog.  You MUST click through to read this, I am simply reiterating his points without the supporting paragraph that goes with each one. If you leave a comment, please identify which item number you are responding to.  And please don’t leave a comment if you didn’t read the supporting paragraph for that item.

Father Christopher Smith, PhD, STD is administrator of Prince of Peace Roman Catholic Church in Taylors, South Carolina.  He is a member of the Church Music Association of America and contributes regularly to the Chant Café blog. He is also a member of the Catholic Theological Society of America and is a speaker on sacred music, liturgy, theology, and catechesis. Father Smith speaks Spanish, Italian, French and some German. He enjoys reading, kickboxing, and music.

I’ve changed his title in the headline above, because I believe he is mostly addressing the modern worship movement as practiced in most Evangelical churches and blended with hymns and liturgical music in more traditional churches. I address that more at the end of this first section.

Here’s the link: Why Praise and Worship is Praise but Not Worship.

Outline of points:

1.  P&W music assumes that praise is worship.
2.  P&W music assumes that worship is principally something we do.
3. P&W music assumes as its first principle relevance.
4. P&W music assumes as its second principle the active participation of a certain age group
5. P&W music self-consciously divides the Church into age and taste groups
6. P&W music subverts Biblical and liturgical texts during the Mass
7. P&W music assumes that there can be a core of orthodox Catholic teaching independent of the Church’s liturgical law and tradition
8. P&W music consciously manipulates the emotions so as to produce a catharsis seen as necessary for spiritual conversion
9. P&W music confuses transcendence with feeling
10. P&W music denies the force of liturgical and musical law in the Church in favour of arbitrary and individualist interpretations of worship
11. P&W music prizes immediacy of comprehension and artistic ease over the many-layered meaning of the liturgy and artistic excellence

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Let me again state that where he is using the phrase P&W music, I believe it is more correct to say “Modern Worship.” The reasons he gives are rooted in a deep understanding of Roman Catholic spirituality, but are overshadowed with the assumption that only certain styles or genres of music are an appropriate part of a liturgy, i.e. a worship service. This assumes that would be impossible to make the mass (or an Protestant worship service) more culturally relevant to people overseas, or that an encounter with God through worship is not going to have a deep emotional element. (If the end result is rooted in, for example, Gregorian chant; to impose this on people in other countries is not unlike the fringe groups who insist that only the King James Bible saves, and therefore, they must first be taught King James English.)

I also think it is important to remember that today’s modern worship is an outgrowth of the Contemporary Christian Music (CCM) movement, and today’s CCM has its earliest roots in the Catholic folk masses of the early 1960s. (See this video as an example.)

But I also believe it not wise to be too dismissive of the writer’s passion about the qualities of worship music we aim for; and I have reproduced this here because I believe there is application here for Christians of all stripes. This is, I believe, the type of thinking more of us need to be exposed to, even if we ultimately disagree.

He ends with a more positive restatement of the same eleven points:

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1. The Church’s musical and liturgical tradition is an integral part of worship, and not a fancy addition.
2. While Praise is a high form of individual and small group prayer, it is not Worship as the Church understands the corporate public prayer of the Liturgy.
3. Worship is not principally something that we do: it is the self-offering of Jesus Christ to the Father in the Holy Spirit, the fruits of which are received in Holy Communion. Worship is Sacrifice and Sacrament, not Praise.
4. Relevance is irrelevant to a liturgy which seeks to bring man outside of space and time to the Eternal.
5. Participation in the liturgy is principally interior, by the union of the soul with the Christ who celebrates the liturgy. Any externalizations of that interior participation are meaningless unless that interior participation is there.
6. The Church’s treasury of sacred music is not the province of one social-economic, age, cultural, or even religious group. It is the common patrimony of humanity and history.
7. The Church must sing the Mass, i.e., the biblical and liturgical texts contained in the Missal and Gradual, and not sing at Mass man-made songs, if it is to be the corporate Worship of the Church and not just Praise designed by a select group of people.
8. Orthodox Catholic teaching on faith and morals must always be accompanied by respect for the Church’s liturgical and musical teaching and laws.
9. The deliberate intention to manipulate human emotions to produce a religious effect is abusive, insincere, and disrespectful of God’s power to bring about conversion in the hearts of man.
10. While music does affect the emotions, sacred music must always be careful to prefer the transcendent holiness of God over the immanent emotional needs of man.
11. The Church’s treasury of sacred music inspires and requires the highest attention to artistic excellence. It is also an unfathomable gift to the Church, and must be presented to the faithful so that they may enjoy that rich gift. 

~Father Christopher Smith

Robin Mark – Lion of Judah

Last night we were blessed to attend a concert with Ireland’s Robin Mark.  He’s a regular visitor to the Pentecostal Campground located just 2km east of our town.  Although he didn’t do this song in the concert, we did this one in our worship set this morning.

The annotation with this video is interesting:

This is a worship video we compiled for RiverCrestChurch.org. The graphics are actual scans of medieval handwritten pages with the lyrics of the song superimposed on the pages for use in worship. The amazing song was written by and performed by Robin Mark in Belfast, Northern Ireland.

Revival In Belfast captures the passionate worship of Robin Mark and the Christian Fellowship Church in Belfast, Northern Ireland. Known for their strong cross community emphasis, it is a place where believers from all walks of faith are welcome and where grace and mercy abound in the midst of the troubles of Northern Ireland. The blend of uilleann pipes, penny-whistle and a multi-national worship band create a powerful backdrop of the intensely honest songs of Robin Mark that have become well known throughout Europe. Featuring “All For Jesus,” “Lion Of Judah,” and “Days of Elijah,” Revival In Belfast delivers unique and singable songs that are destined to revive your heart as you celebrate the Lord of All. 

  Some of the imagery may seem a bit different, but it’s based on end times images from the book of Revelation.

Tell Out My Soul

This is a hymn that is not well-known in North America, though I heard a version here once with a tune that did not do the lyrics justice. This is a song worthy of a resurgence; a composition that sounds like much of today’s Sovereign Grace titles with a melody that holds up well in the 21st century and lyrics that affirm the majesty and glory of God.

And here’s a bonus version, done in a high-church style, which is how I heard this song the first time over 30 years ago. I’m a huge fan of today’s modern worship, but here is a case where the traditional music and lyrics blend perfectly.

“Make know His might, the deeds His arm has done.”

Before the Throne of God Above

This is a song you should know.   There are some studio versions available to listen to on YouTube; it’s been recorded by Shane & Shane, Selah, and it appears on the Top 25 Praise CD for 2007.   I was going to post the version from the T4G conference that’s online, but the overly exuberant worship leader really knows how to ruin the moment!   So I went back to this one.

The person who posted this annotated it this way:  “Some of the most profound, powerful and spiritually freeing lyrics I’ve ever heard. Thanks to Selah for putting their own arrangement to these classic lines.”  I associate the piece with Sovereign Grace Music, but the words were written by Charitie Bancroft in 1863.

Before the throne of God above
I have a strong, a perfect plea:
A great High Priest, whose name is Love,
Who ever lives and pleads for me.

My name is graven on his hands,
My name is written on his heart;
I know that while in heaven he stands
No tongue can bid me thence depart
No tongue can bid me thence depart.

When Satan tempts me to despair,
And tells me of the guilt within,
Upward I look, and see him there
Who made an end to all my sin.

Because the sinless Savior died,
My sinful soul is counted free;
For God, the Just, is satisfied
To look on Him and pardon me
To look on Him and pardon me

Behold him there, the risen Lamb
My perfect, spotless righteousness,
The great unchangeable I am,
The King of glory and of grace!

One in himself, I cannot die
My soul is purchased by his blood
My life is hid with Christ on high,
With Christ, my Savior and my God
With Christ, my Savior and my God

“My Name Will Be Declared in the Final Hour”

Here’s a very different but very powerful worship song from Chuck Girard, a man who is really one of a small handful of people who pioneered today’s contemporary Christian music.

CHORUS:

IT’S THE NAME ABOVE ALL NAMES,
AND WE WILL DECLARE IT, WE WILL DECLARE IT
IT’S THE NAME ABOVE ALL NAMES,
AND WE WILL SHOUT IT TO A DYING WORLD.

Who will declare My name?
Who will shout My name in the middle of the nations
Who will take the shield of faith and the sword of My tongue,
And declare My name to a dying world?
You who have declared Me thus far,
Will walk in even greater power
Though the sands of time are running out,
My name will be declared in this final hour

I am Jehovah! I Am that I Am! And My trumpet will soon call ..out
I formed the worlds with a whisper
But I’m getting ready, I’m getting ready, I’m getting ready
To shout!

CHORUS

I will possess My people
I’ll take every inch that you’ll surrender to Me
For I’m building an army, and I’ve given it My Name
And my words in your mouth shall set the captives free.

I am Jehovah! I Am that I Am! And My trumpet will soon call out.
I formed the worlds with a whisper
But I’m getting ready, I’m getting ready, I’m getting ready
To shout!

CHORUS

The Feast at the Table of the Lord is Ready To Begin

If you want to process some worship music that goes to a deeper level, you can’t not know about the vast catalog of songs from U.K. worship songwriter Graham Kendrick.

Today’s song is from a series of recordings intended for “public praise;” that is, taking the music that exalts God out on the streets.

This song talks about a grand feast that God is preparing for us.   When we think of the phrase, “the table of the Lord,” we tend to think of hushed whispers and the solemnity of a communion service or Eucharist.   But in Jewish thought, the sharing of a meal is usually associated with celebration and dancing.  As this song says, the table is “laden with good things.”

Turn your speakers up loud and play this one a couple of times!

The trumpets sound, the angels sing
The feast is ready to begin
The gates of heaven are open wide
And Jesus welcomes you inside

Tables are laden with good things
O taste the peace and joy he brings
He’ll fill you up with love divine
He’ll turn your water into wine

Sing with thankfulness songs of pure delight
Come and revel in heaven’s love and light
Take your place at the table of the King
The feast is ready to begin
The feast is ready to begin

The hungry heart he satisfies
Offers the poor his paradise
Now hear all heaven and earth applaud
The amazing goodness of the Lord

Jesus
We thank you
For your love
For your joy
Jesus
We thank you
For the good things
You give to us

Graham Kendrick Copyright © 1989 Make Way Music, http://www.grahamkendrick.co.uk

Worship Classic: Psalm Five

There are a number of versions online of a later Maranatha! Music recording of this song, but I have always felt nothing is as raw and heartfelt as this particular version.

Give ear to my words, O Lord
Consider my mediation
Hearken onto the voice of my cry
My King and my God

For unto Thee will I pray
My voice shalt Thou hear in the morning
O Lord, in the morning
Will I direct my prayer
Onto Thee and will look up.

Here are some other notes about the song from the description and comments in a different YouTube video of it (no longer available):

The way I heard it Big Bill was asleep and woke with a melody to King David’s words in Psalm 5. A week or two later Bill went to heaven after a massive heart attack. He never got to hear this final recording. Thank you Big Bill and David and God that we have been given this beautiful melody from a dream.

A week later, the rest of the band (The Road Home) and various backing singers from the Calvary Chapel/Maranatha music community, gathered in the studio and completed the recording, which was first released on the Album “Maranatha 5” .

 

Worship His Majesty: Extra Verses

As I explained today at Thinking Out Loud; I wasn’t sure yesterday which post should go on which blog, so today they’re reversed.   Except you guys get a video, too!

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Recently, the topic of writing extra verses to worship songs and hymns has come up here and in other forums. There are times that a particular worship service almost demands some additional lyrics, and as long as you’re not making a recording, and the verses are consistent with the spirit of the original, I would encourage worship leaders to do this.

We spent the weekend looking for some that I did many, many years ago when the chorus Majesty by Jack Hayford was popular.  If you don’t the original first verse, it’s posted below with lyrics on the video. We decided to post them here for safekeeping! (Musicians: There’s a few ties and triplets used here to make the rhythm work.)

Liberty. Glorious liberty.
He has loosed the chains and weights
that imprisoned my soul
Liberty. Setting my Spirit free.
Taking away guilt and disgrace
Making me whole

So arise, sound forth His praise
Your sins are forgiven
Jesus Christ, with His own life
Has brought our release

Liberty. Glorious liberty.
Once we were slaves, now we are saved
Forevermore.

…

Victory. Living in victory
For Christ Jesus has conquered the forces of sin
Victory. Permanent victory
Casting out fear; casting out death
Assuring we win

So stand up, go forth to fight
knowing we triumph.
Not by human power and might
By His Spirit alone.

Victory. Eternal victory.
Leading the way, through all life’s days
Taking me home.

additional lyrics © 1991 Paul Wilkinson

I Waited Patiently For the Lord

One of the most popular posts at Thinking Out Loud — a blog which doesn’t actually embed video — is a reference to a worship song from the Psalms Alive project, titled He Will Not Let Me Fall.   To see that video, scroll the comments section of this post.    It’s also here at C201, but you’d miss the various comments ; it’s amazing the number of people who have been strengthened and encouraged by that song.

So I thought we’d include another Psalms Alive song here, one that offers a similar message of hope and faith; this one adapted from Psalm 40:

 

¹ I waited patiently for the LORD;
he turned to me and heard my cry.

² He lifted me out of the slimy pit,
out of the mud and mire;
he set my feet on a rock
and gave me a firm place to stand.

³ He put a new song in my mouth,
a hymn of praise to our God.
Many will see and fear
and put their trust in the LORD.

I pray that you and I have a sense of the Lord hearing our cry and moving us from fear into security.

I waited for the Lord on high
I waited and He heard my cry

He pulled me out of my despair
He showed me where to walk
From fear into security
From quicksand to a rock

There’s a new song in my heart to sing
A new song praises to my King

I’ll sing to let the people know
That I have been restored
And they will kneel and understand
To return and trust in the Lord

by Bill Batstone © 1982 Maranatha Praise, Inc. (Admin. by Maranatha! Music)

Passing The Blessing Along

At the end of the day, the end of the month, the end of a life; we are being changed through Word and sacrament and encounter with the risen Christ.

It does not stop there however; we are changed to bring change to the lives of others.  We’re part of a “thread of grace,” or what others call a “chain of grace.”

This is a powerful worship song I first heard when its composer, Aaron Niequist was working at Mars Hill Bible Church in Grand Rapids.   This video is an updated recording at Aaron’s current church, Willow Creek in Chicago’s northwest suburbs.

In Jesus’ name I’ve been changed, I’ve been filled,
I’ve been found, I’ve been freed, I’ve been saved!
In Jesus’ blood I’ve been loved, I’ve been cleansed,
And redeemed, and released, rearranged

But how can I show You that I’m grateful?
You’ve been so generous to me.
How can I worship more than singing?
And live out Redemption’s melody.

I have been blessed – now I want to be a blessing
I have been loved – now I want to bring love
I’ve been invited – I want to share the invitation
I have been changed – to bring change, to bring change

In Jesus’ name we are changed, we are called,
We are chosen, adopted, and named!
In Jesus’ blood we are loved, we are healed,
We’re forgiven and free of our shame!

We want to show You that we’re thankful
Flooding Your world with hope and peace
Help us to worship more than singing
Giving Redemption hands and feet

We have been blessed – now we’re going to be a blessing
We have been loved – now we’re going to bring love
We’ve been invited – we’re going to share the invitation
We have been changed – to bring change, to bring change
We have been changed – to bring change, to bring change

Thank You for this new life, thank You for the invitation!
God, we want to live it loud enough to shake the nations in Your name!

We have been saved – we’re going to shout about the Savior
We have been found – we’re going to turn over every stone
We’ve been empowered – to love the world to Heaven
We have been changed – to bring change, to bring change
We have been changed – to bring change, to bring change
We have been changed – to bring change, to bring change

Worship Leader Strategy

For a blog that was created to avoid the topical tangents of my other blog, I do, in fact, end up talking about worship many times.   Maybe that’s not a bad thing.   Even if you don’t sing or play an instrument, to what degree are you known as a ‘worshiper’?

The other day my mother mentioned to me in a phone call that even though her voice has aged, on a recent afternoon she wanted to sing a couple of songs to the Lord.  She got the concept that He was the audience.   She wanted to give Him that gift.

Doug Thorsvik writes the blog Strategic Song Selection which is read by other worship leaders.   What follows isn’t a regular post, but a special page he created in April ’09 on the subject of worship leaders having a well-planned strategy behind what they do.

As part of the Air Command and Staff College seminar I completed when I was in the Air Force, I took a correspondence elective course titled “On Vietnam”. The big idea I took away and the lesson that has stuck with me is: tactically the U.S. Military had little trouble winning individual battles; however, strategically the U.S. ended up losing the war. Following those tactical defeats, our opponents strategically delayed the war through regular peace table talks until the lack of popular support for the war in America ultimately forced an end.

For those of you who are unfamiliar with the military terms tactical and strategic here are brief definitions and examples:
Tactical: 3. of or pertaining to a maneuver or plan of action designed as an expedient toward gaining a desired end or temporary advantage. (Dictionary.com) Example: Desserts and junk food stimulate the taste buds with fleeting satisfaction.
Strategic: 4. Military. a. intended to render the enemy incapable of making war, as by the destruction of materials, factories, etc.: a strategic bombing mission. (Dictionary.com) Example: A balanced and nutritious diet makes good overall health and well being possible.

I wonder . . .

• Does our approach to planning and choosing songs for individual worship services emphasize the tactical at the expense of the strategic?
• Are we winning the battles, individual engaging church worship experiences, but losing the war, growing worshippers of depth, substance, and endurance?
• Do we choose songs to serve believers at all times and for a lifetime, or is our concern limited to individual Sunday worship services?

Paul uses military concepts in Ephesians 6:10-18 as he talks about the armor of God. The passage is rich with potential applications using songs. For example, when he says: “18 And pray in the Spirit on all occasions with all kinds of prayers and requests,” I would say strategic use of great prayer songs can help prepare believers to do just that.

What exactly does strategic song planning look like? A starting point is recognizing the difference between being tactical and strategic. It’s easy for the tyranny of the urgent (the next set list) to overshadow being strategic (taking a longer view).

Read more at Strategic Song Selection

Great Are You

I first heard this song at a worship service in the Chicago area a couple of years ago, but didn’t realize until tonight it’s by the band Downhere.  Close your eyes — the video image doesn’t change — and think about the fact that He’s God and we’re not.  Times a billion.

The chorus (especially) is truly a refreshing lyric.

How I love Your works
My God, My King
How I love Your works
My God, My King

Your Name rings on the plains
Like a not so distant train
And Love and history are near
In the flowers that you make
The flowers that you make

Because I’ll never hold the picture of the whole horizon in my view
Because I’ll never rip the night in two
It makes me wonder
Who am I, Who am I, Who am I
And great are you

How I love Your Word
My God, My King
How I love Your Word
My God, My King

Your love cuts through
these pages to my heart
As you grieve our sins,
right from the start
And sacrifice and paradise are in
The plans that you made, The
plans that you made

Because I’ll never hold the picture of the whole horizon in my view
Because I’ll never rip the night in two
It makes me wonder
Who am I, Who am I, Who am I
And great are you